Lest it be imaged that the imperial household had been able to hide away the most treasured items before the sack of Beijing, one must recall that the Empress herself had not recognized the threat until a few days before the fall of the city and had been compelled herself to leave at the last minute disguised as a peasant. Eyewitness accounts make it clear that the vast palace was systematically pillaged, with great train loads of booty being carried away to find their ultimate destination in the antiques markets of Europe and America. Under the chaotic circumstances described, it would seem virtually impossible to determine, after the event, just which artifacts came from the Imperial City at that time an which from the thousands of private homes also looted.
While the size of the Imperial art collection of the Qing emperors must have been astonishing, it is difficult to imagine – with the looking of 1860, the vastly more extensive looting of 1900, an the efficient removal of every item before the Japanese advance in 1933 – that there could have been left in Beijing of the imperial treasures that filled the Forbidden City in 1850. No wonder almost all of the rooms of the palace, which I methodically surveyed in 1978, were completely empty of artifacts.
An yet on continues to hear of objects on the art market that can confidently be trace to the Forbidden City, where, I was told by the custodians in 1978, there were no inventories of pre-1900 materials. The problem thus becomes on of the determining the provenance of looted objects, a difficult job at best. I eagerly await publication of the documentation that demonstrates these rugs are from the Imperial Palace.
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